A Chilling Documentary Review: Unpacking a Notorious Incident Via the Perspective of a Florida Cop's Body-Cam

The true crime genre has a new medium, or perhaps even a whole new language and structure: officer-worn camera recordings. Faces of victims, observers and potential offenders loom up to the cameras, sometimes in the intense brightness of vehicle beams or torches as the officers approach, their expressions and tones eloquent of wariness or panic or indignation or dubiously feigned naivety. And we frequently incidentally glimpse the faces of the law enforcement personnel, one standing by blankly while the other conducts the inquiry with what sometimes seems like remarkable hesitation – though perhaps this is because they are aware they are being recorded.

An Emerging Pattern in Non-Fiction Cinema

We have already had the Netflix real-life crime film The Gabby Petito Case, about the slaying of an social media personality by her partner, whose main point of interest was body cam footage and in which, as in this film, the law enforcement seemed extraordinarily lax with the perpetrator. There is also the acclaimed short film Incident by Bill Morrison, composed entirely of officer footage. Now comes a new film by Geeta Gandbhir about the tragic incident of Ajike Owens in Ocala, Florida, a African American woman whose children allegedly harassed and antagonized her neighbor, a local resident. In 2023, after an escalating series of neighbour-dispute incidents in which the police were repeatedly called, Lorincz fatally shot Owens through her locked door, when Owens went to the neighbor's residence to address her about hurling items at her children.

The Investigation and Legal Context

The investigating authorities found evidence that the suspect had done online research into the state's self-defense statutes, which allow householders and others to shoot if there is a reasonable belief of threat. The documentary constructs its narrative with the body cam footage captured during the repeated police visits to the location before the killing, and then at the horrific and chaotic crime scene itself – introduced by emergency call recordings of Lorincz calling the police in a melodramatically shaky voice. There is also police cell footage of Lorincz which has a disturbing, unsettling appeal.

Portrayal of the Accused

The film does not really suggest anything too complicated about the neighbor, or any extenuating circumstance. She is clearly unstable, although the kids are heard calling her a derogatory term, an ugly jibe. The production is showcased as an illustration of how “stand your ground” laws lead to unnecessary and heartbreaking violence. But the reality of firearm possession and the constitutional right (that longstanding U.S. legal right that a deceased pundit famously claimed made firearm fatalities a necessary cost) is not much emphasized.

Police Interrogation and Firearm Norms

It is possible to watch the officer questioning segments here and feel surprised at how minimal concern the police took in this point. When did she buy her gun? Did she receive any instruction on handling it? Was this the first time she discharged the weapon? Where did she store it in the house? Was it just on the couch, loaded and ready? The authorities aren’t shown asking any of these undoubtedly important questions (though they could have inquired in footage that didn’t make the edit). Or is possessing a firearm so commonplace it would be like asking about microwaves or bread heaters?

Arrest and Aftermath

For what appeared to her local residents a very long time, Lorincz was not even taken into custody and indicted, only detained and even provided accommodation away from home for the night (another point of comparison, incidentally, with the Gabby Petito case). And when she was finally officially taken into custody in the holding cell, there is an extraordinary sequence in which the individual simply refuses to stand, will not extend her arms for the handcuffs, not aggressively, but with the courteously pathetic demeanor of someone whose psychological state means that she just can’t do it. Had the kid-gloves treatment up until that point encouraged her to think that this might actually work?

Final Outcome and Judgment

It didn’t; and the panel's decision is saved for the closing credits. A very sombre picture of U.S. justice and consequences.

This Documentary is in cinemas from October 10, and on the streaming platform from 17 October.

Shelly Smith
Shelly Smith

Tech enthusiast and journalist with a passion for uncovering the latest innovations and sharing practical advice for everyday users.